Skip to content
The Domitian

The Domitian

  • Home
  • Technical researchExpand
    • Technical Research
    • SignatureExpand
      • Signature Overview
      • Leonardo – Signatures
      • Images
      • Pigment sample
      • Pigment graph
      • IR image
      • UV image
      • X-ray image
      • PhotomicrographsExpand
        • Photomicrograph 1
        • Photomicrograph 2
      • UV/IR REPORT
      • Signature report
    • Carbon-14 dating
    • X-rayExpand
      • X-ray overview
      • X-ray report
    • Pigment analysisExpand
      • Pigment analysis overview
      • Raman report
      • Research article
    • Layer structureExpand
      • Layer structure overview
      • Cross section report
    • UV and IRExpand
      • UV/IR Overview
      • UV/IR REPORT
    • Painting supportExpand
      • Painting support overview
      • Textile report
    • Paint media
    • Pentimento
    • Surface restoration
    • Before surface restoration
  • Historical researchExpand
    • Historical research
    • Original
    • ProvenanceExpand
      • Provenance overview
      • Verso
      • Christie’s
      • Mark
    • Titian’s original series
    • Sadeler’s engraving
    • Versions of Domitian
    • Comparisons
    • Findings and conclusions
  • ImagesExpand
    • Images
    • After restoration
    • Before restoration
    • X-ray
    • UV/IR
  • Media
  • Contributors
  • Contact
The Domitian
The Domitian

Comparisons

Isabella d'Este

Leonardo: Isabella d’Este, portrait drawing (sketch). Photo: The Louvre Museum.

Face in profile and shoulders turned three-quarters toward the viewer, which is very similar to the composition of Domitian.

Leonardo: Man wearing a laurel wreath. Photo: The Royal Library, Turin.

Roman emperor types appear a few times in Leonardo da Vinci’s drawings, according to experts and scholars.

Click for overlay images

Leonardo: Profile of a warrior in helmet, drawing. Photo: The British Museum.

Face in profile. Perhaps a masquerader?

Click for overlay images
Historical research
Home

© 2025 The Domitian - WordPress Theme by Kadence WP

  • Home
  • Technical research
    • Technical Research
    • Signature
      • Signature Overview
      • Leonardo – Signatures
      • Images
      • Pigment sample
      • Pigment graph
      • IR image
      • UV image
      • X-ray image
      • Photomicrographs
        • Photomicrograph 1
        • Photomicrograph 2
      • UV/IR REPORT
      • Signature report
    • Carbon-14 dating
    • X-ray
      • X-ray overview
      • X-ray report
    • Pigment analysis
      • Pigment analysis overview
      • Raman report
      • Research article
    • Layer structure
      • Layer structure overview
      • Cross section report
    • UV and IR
      • UV/IR Overview
      • UV/IR REPORT
    • Painting support
      • Painting support overview
      • Textile report
    • Paint media
    • Pentimento
    • Surface restoration
    • Before surface restoration
  • Historical research
    • Historical research
    • Original
    • Provenance
      • Provenance overview
      • Verso
      • Christie’s
      • Mark
    • Titian’s original series
    • Sadeler’s engraving
    • Versions of Domitian
    • Comparisons
    • Findings and conclusions
  • Images
    • Images
    • After restoration
    • Before restoration
    • X-ray
    • UV/IR
  • Media
  • Contributors
  • Contact